It’s easy enough to use, but I’m not sure it makes color palette creation any easier for an experienced designer.
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You can download other users’ sets, as well as upload your own for others to share. It provides an easy way to create sets of colors that are supposed to look good together based on various relationships you establish in the panel. For example, the Kuler color-creation function (available as a beta in Illustrator CS3) is now part of InDesign and other CS4 apps. The rest of the broadly useful new features are welcome, but not nearly as exciting. (And if you don’t like it, you can turn any or all of the three smart functions off. I don’t know, but I’m glad that Adobe finally did. This feature is so intuitive and so useful, you wonder why in the 25-year history of desktop publishing no one had thought of it before.
The same approach is used to indicate when the current object’s distance from other nearby objects matches the spacing among those other objects or when the current object’s rotation matches that of nearby objects. Thus, you know it’s time to let go of the mouse if you want them to be the same. For example, if you are creating a new frame, InDesign looks at the dimensions of the nearby frames, and when the object you’re creating (or resizing) matches those of the nearby object, an onscreen guide pops up to show you that they match. So the “smart” features do the math for you while you are working with objects. They could adjust their objects precisely after the fact, but many do not. Instead, they eyeball the location and size of the objects they create and move, as well as eyeball the rotation of objects they tilt. Although InDesign has long had very precise controls for object placement, sizing, and rotation in its Control panel, the problem is that most designers don’t use them. All three help you more precisely work with objects as you manipulate them using the mouse. The most useful and engaging new feature in InDesign CS4 is the trio of “smart” manipulation features: smart guides, smart measurements, and smart dimensions. Furthermore, several changes to the user interface improve its ease of use. And there are a few dozen welcome enhancements throughout the program, from smarter link updating to support for line counts in nested styles. The sixth version of InDesign does break ground in a few areas, such as an innovative and powerful new ability to help you precisely place and size objects via the mouse as you work with objects “live.” Several new capabilities-such as the ability to set cross-references, set your own preflighting rules, and create conditional text-will appeal to subsets of the InDesign community, particularly those doing complex documentation, catalog, and book projects.
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But it may not be worth the price of an upgrade in and of itself the degree of change is not nearly as strong as users saw in the move to InDesign CS3. The newest version of InDesign CS4 would be welcome on any layout designer’s desktop.
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